This is the new version of my previous study on the deformation of Islamic Patterns. I love the purity and simplicity of the geometric construction processes of these patterns. It is possible to observe them in many places in many different forms. By continuing this work, I aimed to highlight the pattern deformations that map out all the variation possibilities of these patterns. Unlike previous versions, this time I aimed […]

Here are the variations of classical six-pointed star patterns generated by Grasshopper. Generally, you can see these patterns under the title “Islamic patterns” because they are frequent in the decorations of mosques and palaces. I studied these patterns in Grasshopper earlier in these posts. I always find this an interesting geometry exercise. This time, my main goal was to develop a useful code only with the native Grasshopper components that […]

In this short study, I generated Rumi Improvizations. The rumi motif, prevalent in traditional Turkish decorative arts like tilings, window lattices, and fabrics, features a round shape with a comma-like body. Despite resembling stylized leaves, rumis have zoomorphic origins. Rumi compositions depicted stylized animal figures, including birds, lions, deer, fish, and mythical creatures like dragons and Simurg. They symbolized strength, fertility, and the eternal struggle between good and evil. The […]

Instead of searching for an iterated and rule-based variety, this method captures instances of spatial deformation by transforming the hyperframe. This liberates us from a classical understanding of pattern deformations that are enframed within regular polygons, mostly rectangles or hexagons. Grasshopper has a built-in component to study such variety. The spatial Deform component gets vectors as inputs and transforms any given geometric object according to it. This website has also […]

This was my first parametric patterning study we conducted together with Birgül Çolakoğlu at Yıldız Technical University in 2008. It was based on the pattern exercises we’ve experienced with BOT Graduate Students as a preliminary study within a Computational Design Studio. Later, the CNC fabrications were exhibited at İstanbul Bilgi University Digital Design Symposium. The exercise was about analyzing and reconstructing regular İslamic Patterns via MaxScript. After fundamental instructions about the […]

It was the 2008, eCAADe Presentation at Antwerp together with Birgül Çolakoğlu and Serkan Uysal. This paper presents a student work developed in the Introduction to Computational Design graduate course titled “Designing the Design” at Yildiz Technical University. The course focuses on the use of algorithms as design tools, rather than coding experiments. The course runs parallel to the shape grammar course. There, we study the basic concepts of computation […]

The intricate harmony of the Islamic Patterns is amazing. The geometry of this and other Islamic pattern designs are explained in the 3rd chapter of Craig S. Kaplan’s Ph.D. dissertation. I constructed a semi-regular tessellation, particularly the 4.8 because it seems to open interesting explorations that mostly emerge from truncated squares. We know equilateral triangles and hexagons are also fundamental shapes for this task. However, the dual nature of the […]

This is another starting point for pattern generation study in a dataflow environment. I tried to implement the parquet deformation of Islamic patterns in Grasshopper. I studied Hankin’s method of Islamic Pattern generation. Then I tried to simulate his process beginning with basic regular tiling (regular hexagonal tessellation). Craig S. Kaplan (here) explains this and other methods in his dissertation. A Simple Foundation We have already experienced the result of […]