#pattern

This is my first experiment on developing add-ons for Grasshopper. There are two components in the “Parquet Deformations” add-on. These are the ghuser files coded in Python. So, they can work by just dragging and dropping to the Grasshopper canvas. These first two components of the toolset are more like helpers while designing Parquet Deformations. I introduced some of my re-generations of classical parquet deformations here and here and in a book chapter here. The Loft Component of Parquet Deformations…

This is the continuation of the physical prototyping project of a folding pattern from 9 years ago. I simulate the folding pattern using the Rhino Grasshopper Kangaroo. As seen in the video, this is possible thanks to the pre-set hinge positions on the Rhino model. Thus, the folding motion can be animated on the screen. You can download and try the Grasshopper code. I often use this code in my ARCH 362 Parametric Modeling course. I think it is possible…

The Parquet Deformation named “Wiry Wonder” was designed by Michael Cuttita in William Huff’s studio at the State University of New York in 1989. The below figure shows the original drawing made by the student. Similar to the previous one, this composition is based on a hexagonal lattice. In this composition there are three significant prototiles, marking the three key moments in the shape-shifting process. There is also one invisible prototile. It accommodates the transition between the last two prototiles….

“Strange Start Startling Stop” was designed by Mary Purdy at the State University of New York in 1985. The composition is based on a hexagonal lattice (above figure). There are four prototiles, marking the four key moments in the shape-shifting process. The first prototile is a regular hexagon, which is also the first tile of the composition. This prototile morphs into a shape that is a composition of four smaller hexagons, creating the second prototile. This morphing process finishes at…

I will try to explain the student project called KUKABAE that was developed in my Robotic Fabrication elective course in 2018. This was a very interesting project. Initially, the students were doing the design to attach an ordinary pen holder to the robot. but then the project changed by chance. they decided to replace a pen holder with a ceramic knife. As seen in the video and pictures, the relationship between the material and the instrument became more complicated and…

One of the new assignments of our Computation-based Basic Design studio is called “Self-Organizing Patterns”. Although I’m not very sure about their self-organization potential, there are several good examples of systematic pattern-making. In the third week of their design education, some of the students proved themselves very well in analyzing and re-configuring natural structures in 2D abstract compositions. Selina Şişik Kardelen Kurt Sude Aydın

This is the first assignment named Design in the Forest of the new “Computation-based Basic Design” curriculum at İstanbul Bilgi University Faculty of Architecture. We are excited to see the students merging their conceptions of natural structures with the skills they start gaining in geometry classes. In the next assignments, we expect to generate patterns and structures by the abstraction of these initial sketches. Humay Aliyeva Sude Akay Here is an interesting paragraph from a similar art movement in Wikipedia: Land…

In this short study, I generated Rumi Improvizations. The rumi motif, prevalent in traditional Turkish decorative arts like tilings, window lattices, and fabrics, features a round shape with a comma-like body. Despite resembling stylized leaves, rumis have zoomorphic origins. Rumi compositions depicted stylized animal figures, including birds, lions, deer, fish, and mythical creatures like dragons and Simurg. They symbolized strength, fertility, and the eternal struggle between good and evil. The oldest rumî-like animal shapes were discovered on rugs found in…

Here is the abstract of my last publication in the International Journal of Architectural Computing. Parquet Deformations is an architectural studio exercise of William Huff in the 1960s. It aims to improve students’ reasoning of spatiotemporal variation by utilizing sequential shape-shifting of patterns. This article examines the outcomes of this educational research from the perspective of design computing. A multilayered reading about the exercise will reveal its historical, theoretical, and artistic backgrounds. Then we explain the common structural elements and different construction approaches…

Here is one of the exercises I tested with a few students in Architectural Geometry. The exercise is about creating Escher-like patterns. It is an introductory topic on the designerly utilization of regular tessellations. We use square, hexagonal, or triangular tessellations as underlying structures of complex patterns. Below are some of the student works from this exercise. I think the black-and-white coloring helps in terms of reducing the requirements. Although the patterns designed in this exercise are not Escher patterns,…